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Fantasy Friday – Masques

Friday, March 11th, 2011

Masques by Patricia Briggs

Review written by Janice Y. (jai)

Patricia Briggs’ Mercy Thompson series is one of my favorite urban fantasy series out today. When I started getting into them I naturally looked into her back-list, which is in the fantasy genre. I’ve read both Hob’s Bargain and the Hurog duology, and the Raven duology is in my TBR pile, but the one book I could not get my hands on was Masques, Briggs’ first book. In 2007, I noted that the book goes for at least $60 on eBay, $120 to over $600 elsewhere. I didn’t think it was worth paying so much for a book which the author herself admitted was her first effort and thus had a lot of weaknesses! Thankfully, Masques was re-released after a rewrite by Briggs. Even better: its sequel, Wolfsbane, is now available.

This review is for the rewritten Masques.

The Premise: Aralorn is a mercenary who “doesn’t take orders” and “will occasionally listen to suggestions” which makes her ideal as a spy for the city of Sianim. Her latest assignment is to check out rumors of an assassination attempt on the ae’Magi, the much beloved Archmage of the land. It isn’t until she is at his castle does she realize that the ae’Magi is not the good, kind man the world thinks he is. He’s pure evil, but his influence over people’s hearts makes any opposition near impossible. The only people who realize the true nature of the ae’Magi are persecuted by him. These include Wolf, a grey beast with yellow eyes who can speak, the young King Myr of Reth, and a small but growing group of rebels hiding in the Northern Woods.

My Thoughts: This book begins with an introduction by the author which explains that Masques was a book she started in college when she knew nothing about writing. This means that in looking at it again as a more experienced writer, there was a lot of “squirming uncomfortably” and the first attempt at a rewrite was so extensive that it changed the story completely. So this edition of Masques is a compromise: it keeps the original story but makes things fit better, leaving the “clichés and oddities” intact.

I kept Briggs’ introduction in the back of my mind while reading the book, and I can see what she alludes to as the “clichés and oddities” in her story. Yes, there are a lot of things in Masques that feel very familiar. Aralorn’s background alone made me wonder if I’d read Masques before: the plain-looking lord’s daughter, more interested in swordplay than etiquette, runs away from home with her warhorse and joins a mercenary guild. Her shapeshifter bloodline and quick wits keep her alive, and along the way she gains a wolf companion. Add to this the evil sorcerer in his castle, a scarred hero, an army of mindless minions, a spymaster, a dragon, and magic items, and you have a rather common set of tropes. Yet I never felt that these things were trite. Instead I felt like I was reading a story where the plot had a charming enthusiasm, while the writing itself was polished by experience.

I didn’t think the polish covered all flaws, but there were qualities in this story that reminded me of what lured me into the fantasy genre during the nineties, and that was worlds I wanted to visit. I really enjoyed the settings, particularly the fantastic rooms described in the story. I loved imagining the secret places these characters went and the grand palace that the ae’Magi lived in. I also liked the idea of the green versus human magics, and how shapeshifters and magical creatures fit into this. The explanation of how the magic works could have been better, but there was still a sense of wonder while reading about magical creatures and old stories that I enjoyed.

There’s a lot thrown into the 294 pages that was this book, but story is essentially a good versus evil tale. After Aralorn discovers the true nature of the ae’Magi, King Myr of Reth has to flee his palace, leaving his throne open for the ae’Magi to usurp. Aralorn and Wolf join him in the Northlands. Here, the power of human magics like the ae’Magi’s are not as affective, but green magic, the magic of Aralorn’s shapeshifter people, have no problems. A ragtag band of people impervious to the ae’Magi’s magical influence trickle into the hidden camp, called my some unknown power. Together they begin to work out how to overthrow the ae’Magi.

There are a few secondary characters within this rebel camp, but besides King Myr and the ae’Magi (who were very good and very evil respectively), no one really made much of an impact on me. The focus is primarily on the two heroes (Wolf and Aralorn) and they stood out while others faded into the background. I found myself uninterested in the camp’s day-to-day life and more drawn in by Aralorn and her relationship with the enigmatic Wolf.

Although I feel like Aralorn is the main character, Wolf steals the show. Aralorn rescued him from a pit trap, and over the years he’s slowly revealed more about himself, including the fact that he’s not just a wolf. He’s your basic scarred hero, but he and Aralorn have developed a bond which has become something more for them both. I loved reading about his past and their conversations while they researched spells in Wolf’s private library (I wish this library was real). Aralorn is a good match for his prickliness because she can cheerfully ignore it, and she uses her humor to chip away at his shell. As you can imagine, this is the set up for a romance. I was expecting something slow moving from the way the book began, but the complications I thought I’d see were superficial ones. It was sweet but not intense. I am looking forward to reading the second book to see how their romance continues and I hope to see better developed secondary characters that play a larger role in the plot.

Overall: Masques is a little bit dated because it’s a book originally written in the nineties, but it has a lot of charm. It reminds me of books about female heroines having adventures written by Robin McKinley and Mercedes Lackey that I read in my teens and still hold a fondness for today. It has its flaws but it also has charisma, and it kept me pleasantly entertained for the few hours it took me to read it. I think would do well with YA readers interested in fantasy, particularly girls.

Romance Review – Devoured by Darkness

Wednesday, March 9th, 2011

Devoured by Darkness (Guardians of Eternity, Bk 7) by Alexandra Ivy

Review by Cynthia F. (frazerc)

Paranormal action romance that starts pretty much at the end of book 5, Darkness Unleashed.  At that point there are two tunnels and two sets of people being pursued.  Salvatore took one branch and the results of that choice are detailed in book 6, Beyond The Darkness.  Tane took the other branch and his adventures are covered in this book.  That said…  this has all the marks of a ‘bridging’ [one which sets up for future stories] book.  It seemed to have less action than normal but the relationship plot was well developed.

Tane is a great character – mohawk, shorts and bare feet in all weather and conditions – and his job as Charon [basically vampire assassin in charge of killing off rogue vampires] makes him REALLY unpopular with his fellow vampires.  And when he captures that half-Jinn he should deliver her to the Oracles immediately.  But there’s something about her…

Then there’s Laylah – under an order of execution for being a half-Jinn – bearing the darkest of secrets – the last thing she wants to see is a vampire assassin nipping at her heels.  But it’s not like she has a choice, he’s there, he’s not giving up, and he’s sure acting like he wants to nip more than her heels…

And finally there’s Levet – adding his own special mix of ‘rescuing fair damsels’ and ‘confusion to the enemies’ while driving the hero nuts.

Victor and Juliet, two supporting characters they visit in London, have their own story – Taken by Darkness in the Yours For Eternity anthology.

Series is pretty sequential, better to read them in order.

Guardians of Eternity

1. When Darkness Comes

2. Embrace The Darkness

3. Darkness Everlasting

4. Darkness Revealed

5. Darkness Unleashed

6. Beyond The Darkness

6.5.  Taken by Darkness in Yours For Eternity anthology

7. Devoured by Darkness

8. Bound By Darkness

Mystery Monday

Monday, March 7th, 2011

White Corridor by Christopher Fowler

Review written by Cheryl R. (Spuddie)

This is #5 in the Bryant & May “Peculiar Crimes Unit” mystery series set in London. In this episode, acting director Raymond Land closes the unit for a week while the computers and electronics are updated, so Bryant convinces May to accompany him to a spiritualist convention out in the rural west country. The two elderly detectives set off and run into a horrendous snowstorm that leaves them stuck in a ditch and stranded along with dozens of other travelers–one of whom is a murderer, as they discover when they find the body of a truck driver with his throat slashed.

Meanwhile, back in London, the unit’s pathologist Oswald Finch dies while beginning an autopsy on a young girl, a drug addict who is more than what she seems. His death comes just days before his impending retirement, and the remaining staff must figure out if it was murder (only they have keys and the door was locked!), suicide or a bizarre accident. Communicating with their senior colleagues by mobile phone, DS Janice Longbright must finally begin to put all the teachings of her mentors to work to solve the crime–before a royal visit scheduled last minute by their nemesis, Oscar Kasavian, could derail the unit once and for all.

Wonderful read as always with crazy characters, well-plotted mysteries, red herrings galore, and plenty of laughs. Though I was sad at the death of crotchety old Finch, his demise was an interesting puzzle for the Unit to solve. This series will be enjoyable for those who like quirky characters and a little “meat” on the bones of the mystery. Lots of historical and literary references throughout keep things interesting, but more than anything, the characters become beloved friends after only a couple of books in the series.

Fantasy Friday

Friday, March 4th, 2011

Eyes of the Overworld by Jack Vance

Review written by Bowden P. (Trey)

This book was a typical classic SF and fantasy treat for me – fast reading, engaging and quick. Plus, it was a nice look at some of roots of the tropes of the fantasy genre and roleplaying games. Besides, where else can you find the origin and composition of the grue?

What’s it about? Well, I suspect Wikipedia can do a better job of summarizing than I, but the gist of it is one Cugel the Clever (also the greedy, treacherous, cowardly, lecherous, lazy, etc., etc.) is sent on a little errand by Iuconnu the Laughing Magician after being caught trying to burgle Iuconnu’s home. This small errand is a simple quest – with a epic return home.

Along the way, Cugel cons, is conned, tries to take advantage of people and is taken advantage of more often. He is living proof that the best way to con someone is appeal to that larceny and greed in their hearts. “The Mountains of Magnatz” is a wonderful example of this.

Did I like it? Yes, I did. I’m fond of characters like Cugel – he seems a spiritual descendant of the Flashman at the least. Unlike Flashman though, Cugel in this volume remains an inveterate rotter. Also, unlike Flashman, he doesn’t admit to himself what he is. Heck, he’d deny it to the end. And it was pretty funny to see how he kept getting taken advantage of by his intended victims because of this. I wasn’t thrilled with the rococo language though – it reminded me of  The Worm Ourobouros by Eric Rücker Eddison and not in a good way. But I’ll forgive it because it did not take itself as seriously as The Worm Ourobouros does.

Likes: A literally anti-heroic protagonist; Humor; Seeing origins of tropes in the fantasy genre; Imaginative world building; Amusing cons.

Dislikes: Rococo language; Dialogue – stiff and people don’t talk like that.

Suggested for: Fantasy fans, classic fantasy fans, Flashman fans and fans of anti-heroic characters like Flashman and Cugel.

Romance Review – A Veiled Deception

Wednesday, March 2nd, 2011

A Veiled Deception by Annette Blair

Vintage Magic Book 1

Review written by Cindy F. (frazerc)

I loved this book, which really surprised me because much of it concerns fashion, both current and vintage, which I have no interest in. [Hey, it’s not entirely my fault – I grew up in a time and place where ‘haute couture’ meant your jeans and your sweatshirt were both clean at the same time…] But the author sold it to me and I actually found it very interesting.

The heroine, Madeira [call me Mad] Cutler, head design assistant in a New York fashion house is called home to Mystic Falls. Officially she’s supposed to help her youngest sister plan her wedding and unofficially she’s supposed to make sure there is going to be a wedding at all. An old friend of the groom has shown up and is acting like SHE is going to be the bride. Not good but Mad can fix anything – which turns out to be a very good thing when she stumbles over the corpse of the usurper strangled with Sherry’s wedding veil and it looks like little sister is the prime suspect. Of course she plans to fix this by finding out who really did the deed.

To this end she snoops, she gossips, she pulls strings – all while going up against Detective-Sergeant Lytton Werner. The same Werner who in third grade she called ‘little wiener’ in the school cafeteria – a nickname he has never escaped even when he became a 6+ foot hunk. And, yeah, he still blames her. He considers her his own, personal thorn…

And then her life gets really strange – it seems that besides being able to see ghosts [her family home is a haunted 250 year old inn] some vintage clothing gives her glimpses into their past owner’s lives. While she finds this spooky and disconcerting, it does help her solve the current crime [and sheds much needed light on past crimes as well.] She finally breaks down and tells Nick, her on-again-off-again boyfriend, FBI agent and brother’s partner, about the visions and eventually he comes to believe her. The trick is how to get the good detective to look in the right places without explaining how she got the information and without a lick of proof – because she is definitely NOT telling him about the visions!

All this is going on while Mad is having her own personal crises – she decides to quit her job, buy the old carriage house/hearse barn and turn it into an upscale [very, very upscale] dress shop selling high end vintage clothing and her own designs which will be named Vintage Magic. It comes complete with yet another ghost – one that is handsome, charming, and fond of chatting with those that can see him.

A word about the sex in this book – there’s sizzle but all the actual contact takes place ‘off screen’.

Vintage Magic Mysteries

1. A Veiled Deception

2. Larcency and Lace

3. Death by Diamonds

4. Skirting the Grave

Mystery Monday

Monday, February 28th, 2011

Top of the Heap by A.A. Fair

Written by Matt B.  (BuffaloSavage)

Published in 1952, this is the thirteenth of 29 novels starring the PI partnership of Bertha Cool and Donald Lam that were written by Erle Stanley Gardner under the pen name of A.A. Fair. After reading about half-dozen of this series (a misnomer since they needn’t be read in any order), I think that Fair’s Cool and Lam novels are smarter, sexier, wittier and just more entertaining than Gardner’s Perry Mason novels.

Top of the Heap is worth reading because it is both characteristic and uncharacteristic of Gardner’s approach to mystery writing. As usual, the murder is a relatively small part of an intricate scheme, plot, or scam. As the running joke, Bertha Cool plays the comic miser like Uncle Scrooge and Mr. Krabs. Her hard-charging ways comically contrast with ex-lawyer Donald Lam’s subtle questioning of persons of interest and cunningly holding off the cops that want to put him in the hoosegow. Another constant is that because gentlemanly Lam is such a considerate listener, all the female characters fall like dominoes for him in spite of his short stature and poverty due to Bertha paying him so little.

Unusual, however, are the social science observations, especially involving female characters. Gardner puts on his sociologist’s hat to have a young working woman describe Sex in the City / Sex and the Single Girl in LA circa the early 1950s: “You’re not independent. You’re a cog in the economic and social machine. You can get just so high and no higher. If you want to play you can get acquainted with a lot of playboys. If you want anything you’re stymied.” Through an ex-strip tease artist, we get the anthropological view from a participant-observer. The self-possessed stripper describes her sense of her power over the audience and her teasing of it as the core spectacle of old-time burlesque shows: “I had the most supreme contempt for the individuals in the audience, but the group of the contemptible individuals became an entity, an audience. I loved to hear the roars of applause….”

A publisher called Hard Case Crime got this novel back into print in 2004, its first publication in 30 years. It was an excellent choice.

Fantasy Friday

Friday, February 25th, 2011

Each Friday, we will post a review of a Fantasy book. 

Chalice by Robin McKinley

Review written by Althea M. (althea)

Robin McKinley’s well-known for both her original fantasies and her re-tellings of folk and fairy tales, fans have given the most acclaim to The Blue Sword (which was my introduction to her writing, and has become one of my favorite books) and its prequel The Hero and The Crown.

More recently, two novels saw her branching out into slightly different genres: Sunshine is an urban-fantasy vampire novel, and Dragonhaven also features a modern setting, but is aimed at a younger audience. While both were good, I didn’t feel that either was among her best.

So I see Chalice as a bit of a return to form. The story blends the two types of writing where McKinley is strongest: it’s an original fantasy with the feeling of an ancient legend or folk tale. In this, it may appeal even more to readers of Patricia McKillip, who excels at this sort of mythopoeic creation, than to readers of some of McKinley’s other books.

Here, we have a land of small kingdoms, or demesnes, each cared for by a Master and a Circle of advisors, who are called to this service by earth magic. Taking literally feudalism’s idea of people being bound to the land, the book explores not only the authority inherent in such power but the duty and obligations it would entail.

The demesne of Willowlands is in trouble. The former Master and Chalice (the second-highest position in the realm) were careless, abused their power and died tragically. Now Mirasol, a humble woods- and beekeeper, has been called to the position of Chalice. In the absence of any other heir to take on the mantle, the former Master’s brother has been summoned back from the enigmatic order of Fire Priests. Such initiates are never expected to return to their former realms. Loved by the people in his boyhood, now it is doubtful whether the new Master is any longer even human; it is sure that he is dangerous and terrifying. (This may immediately bring to mind certain questions for readers familiar with McKinley’s affinity for Beauty and the Beast.)

This is not a coming-of-age tale. Although Mirasol is not old, she is a mature and independent woman who is self-sufficient and competent in her vocations before new expectations are thrust upon her. Her struggle is an adult struggle involving both self-discovery and losing a certain naïveté regarding duplicity and games of power. Ultimately the book is about the difficulty of shouldering responsibility and the importance of standing up for what is right. Along the way, there’s also a powerful message of respect and care for nature and the earth, a deep and abiding love of animals, and gentle romance.

Focusing solely on the story at hand, McKinley leaves intriguing questions about the background and details of the world she’s created unanswered. The effect is somewhat that of looking at a story which floats on its own, light and airy as a soap bubble. It’s a shimmering thing, but some may prefer a more grounded feeling. The land of Chalice is not without its problems, but it is possessed of a purity of beauty and a certainty of morality. This may not please readers who are looking for a sophisticated political or social critique. Some may see it as an idealized portrayal of the virtues of a ‘simple life’ that has never existed. But one can also view stories like this, in their seeming simplicity, as burning to the core of the concerns of life, creating guideposts of flame that one can hold to in the face of banality.