Gold Comes in Bricks by Erle Stanley Gardner writing as A.A. Fair

Review by Matt B. (BuffaloSavage)

1940 saw publication of the third of 29 novels starring PI’s Donald Lam and Bertha Cool. Like Laurel and Hardy, the partnership features the shrimpy mellow one and the stout irritable one.

This mystery opens with the slight Lam taking lessons in the martial arts at the behest of his employer Cool, who likes her tobacco, liquor, steaks, and comfort. She thinks he needs some toughening up in order to avoid getting beaten up on the job.

The client Henry Ashbury is concerned about his independent-minded daughter’s burning through his money. He hires Cool and Lam to look into the girl’s financial dealings with iffy friends. So that the daughter will not be suspicious as to why Lam is in the house, he is to pose as Ashbury’s personal trainer.

It’s a dumb plan, but miser Cool is mesmerized by the big bucks to be earned by Lam. Dubious Donald follows his instincts and really shakes the tree. He uncovers a complex situation involving fraud, blackmail, and murder. As is usual in the Cool and Lam books, they make the situation worse until they grift the grifters and narrowly escape being arrested for being Pains in the Neck in the First Degree.

The strain between thinking machine Lam and bull in the china shop Cool is as funny as Cool’s smarmy concern over Lam’s love life. Women inevitably fall in love with Lam for his gentlemanly respect and willingness to listen without judging. So Cool is concerned that Lam will end up in romantically deep waters and lose his focus which she thinks he must dedicate to working for her.

It’s a hoot. You get the feeling when Gardner was writing Mason stories he was getting satisfaction from getting all the puzzle pieces into place. But when he was writing Cool and Lam he was having fun.

The Wings of the Sphinx by Andrea Camilleri

Review by Matt B. (BuffaloSavage)

Set in Sicily, this 2006 mystery begins in a tragic way when the nude body of a young woman is found in a landfill. She has traces of gold leaf on her body and the tattoo of a sphinx moth on her left shoulder. Montalbano manages to follow the trail that will involve three other women with the same moth tattoo. He will discover the culprit and the reasons for the murder even though his investigation is always at risk of being hindered by influencers at the top who are corrupted by greed, fear, or the will to power.

The comic relief subplot concerns Mr. Picarella, a man who probably has staged his own kidnapping but whose wife insists the police are not taking the case seriously enough. Montalbano’s subordinates, Fazio and Augello, are skeptical because no ransom demand has been received. They are vindicated when a rich guy produces a photo of Picarella partying in a nightclub in Havana. Mrs. Picarella later curtly rejects this evidence and gets Montalbano in dutch with his pompous superior Bonetti-Alderighi. The scene of them pressing each other’s buttons is hilarious.

The main attraction of this one is, in fact, various confrontations and interrogation scenes that are both realistic and funny. Other strong points are the lush evocation of Sicily, the realistic examination of the sin of treating people like things, and the short chapters driven by brisk rhythm and tempo. With scenes seamlessly woven together, the action is so easy to take in that the book feels shorter than it really is.

As usual, the star is the hero Montalbano, an ordinary middle-aged guy aging ungracefully, subject to dark moods and flying off the handle not to mention poorly managing his long-distance relationship with his GF Livia. The supporting cast includes the pragmatic and meticulous Fazio, the compliant yet daring Augello, and the strong-willed Livia. A brilliant comic creation is the naive and sincere character of Officer Catarella who maddens Montalbano by muddling messages and mangling people’s names and telephone numbers. Hapless Cat is up there with Poirot’s Hastings as the unintentionally comical sidekick.

Some scenes are funny, such as when Montalbano pretends to be an anti-mafia investigator in an amazing two-chapter interrogation. The only cautions are that the reveal feels rushed, and the savvy reader will see where the story is heading. But we don’t read Montalbano novels for the story or the reveal but for Camilleri’s mastery in narrating a story with perfect seams and creating an atmosphere and characters in a world so plausibly realized.

Spill the Jackpot by Erle Stanley Gardner writing as A.A. Fair

Review by Matt B. (BuffaloSavage)

Gardner wrote 29 Bertha Cool-Donald Lam mysteries. This 1941 entry, the fourth, is one of the better outings. It opens with Bertha checking out of a six-month stay in a sanitarium where she was recovering from a combined form of flu and pneumonia. In a well-plotted story, Lam investigates a disappearance and a murder.

When Gardner wrote as Fair, he allowed himself more digressions from the plot than in Perry Mason novels. He describes the desert country of Nevada and Arizona with affection and awe. He gives the reader a feeling that she’s learning something with a tangent on the inner workings of slot machines. For athletes he gives retro advice on the road work and training that goes into becoming a pugilist. He explores Lam’s wrestling with moral ambiguity with his relationship with a bad girl on the run – who is using whom?

I highly recommend this vintage mystery. Like many born-in-the-Fifties readers, I first read Cool & Lam mysteries as a teenager. Returning to them lately, I have to make allowances for old-timey technology and attitudes, but find the plots clever and the interplay between Bertha and Lam almost as funny as between Jeeves and Bertie Wooster.

THE RISE AND FALL OF D.O.DO. by Neal Stephenson and Nicole Galland

Review by Cyndi J. (cyndij)

“My name is Melisande Stokes and this is my story. I am writing in July 1851 (Common Era, or – let’s face it – Anno Domini) in the guest chamber of a middle-class home in Kensington, London, England. But I am not a native of this place or time. In fact, I am quite desperate to get out of here. “

So begins THE RISE AND FALL OF D.O.DO., in which Stephenson and Galland happily mix time travel, multiple universes, witchcraft, and government bureaucracy. Melisande is an underpaid and unappreciated lecturer at Harvard University, with a doctorate in ancient languages. After a seemingly accidental meeting, she’s recruited by nice guy Tristan to work for a shadowy government agency, translating documents that all have a mention of magic. To her surprise, there are a lot. In our present, there is of course no magic. But apparently there used to be witches doing magic, and it was just another part of life. Why isn’t there magic in the present day? By working up a timeline, they realize that magic disappeared in tandem with the rise of technology, and more precisely, photography.

Before too long, they’ve got a quantum physicist who might have invented a machine in which magic could exist, if only there were a person who knew how…and voila, here’s Erszabet, a 200 year old witch who says Mel not only told her to live that long, but when to meet.  Mel has no clue how this happened, but of course we readers have figured out that part thanks to the beginning.

The discovery that Erszabet can send people back in time leads to a scheme to fund the project by going back and finding a very rare book, putting it where it can be found 200 years later, and selling it. What could go wrong? Weelll… every action has a reaction, and there are indeed a lot of witches in the past.  Many of them are curious about what these future people want, and some have their own ideas about what might be best for the future.

The first part, while it’s all being set up, is pretty amusing.  Lots of stuff about time travel paradoxes and their unintended consequences. But this isn’t called “The Rise and Fall of DODO” for nothing, because we’re going to get a lot – and I mean a lot – of information about how it grows. Even shadowy military organizations have bureaucracy plus a massive amount of office politics, not to mention petty office jealousies and backbiting. While much of the book is told from Mel’s POV, there are excerpts of email communications, policy notices, text messages and more.  There are excerpts from other characters’ journals (don’t miss The Lay of WalMart). While amusing, it does slow things down; but enjoy the journey as it all contributes to the eventual fall. At any rate, after 600 pages the reader is still wondering what happened to strand Mel in 1851. Fear not, you’re almost there.  In the last act things start happening with a vengeance. So many conspiracies! It’s a 3 ring circus with witches everywhere, people whipping back and forth through the centuries, and treachery at every turn. Is Mel going to get back? Are the bad witches going to triumph after all? No spoilers here.

There is a sequel written solo by Nicole Galland, but this one makes a fine stand-alone if you don’t want to go farther.

Cinnamon and Gunpowder by Eli Brown 

Review by Cheryl G. (Poncer) 

While not a fan of most pirate books because of their violent nature, this book intrigued me because of the mention of cinnamon in the title. I had recently watched a documentary about the history and current production of the spice in Sri Lanka (formerly Ceylon). I am very glad I read this book, even the violent parts. Luckily the narrator was nearly as squeamish as I about violence, so while the book did contain violent scenes, they were over quickly and handled with some sympathy. 

Tossed in to this pirate novel is a charming love story and some recipes to make if you are ever stuck on the high seas with limited ingredients. Or even at home with some seaworthy goodies.

This book takes part during a few months in 1819 and though written in the early 20-teens, it seems very relevant to the discussions taking place since the death of Queen Elizabeth II and the impact of British imperialism around the world. Funny that the history we were taught in school, and the actual ways westerners affected other peoples of the world, are often very different. While this is definitely a work of historical fiction, I did learn some facts about spice trading, privateers and pirates of those days.

One of the best parts of this book was the humor. Some parts were actually laugh-out-loud funny. Along with the human reactions of the main characters, it made the book very readable. The characters were all developed well and all, even the most grizzled old lascar garnered my sympathy in some way as the story progressed. 

I highly recommend this book, and not only to fans of pirate stories. Four stars. 

The Case of the Fabulous Fake by Erle Stanley Gardner

Review by Matt B. (BuffaloSavage)

It is 1969 in Los Angeles. Diana Douglas and her brother Edgar are both employees of the Escobar Import & Export Company of San Francisco. Though controls in the company are cool and casual, auditors have tumbled to the fact that about $10,000 ($72,000 in 2022) is missing from the cash safe. Edgar, a charming do-nothing employed as a favor to his sister, may have embezzled it to settle gambling debts to wise guys.

LA blackmailer, Moray (as in eel) Cassell, has heard a rumor of the missing cash and seems to have contacted Edgar to put the bite on him. Sensitive Edgar got knocked out in an auto accident and is in a coma so sister Diana decides to pay The Eel off. Though she lies and frankly conceals information, Mason agrees to help Diana, mainly because he detests blackmailers. Mason admits he made a mistake when he unwittingly gave Diana enough rope to go and stick her pretty neck into an ugly noose. The inevitable murdered corpse in an apartment results in Diana being charged with Murder One since the murder weapon was a wooden-handled .22 owned by Edgar.

I’ll read late career Gardner because I’m a fan. But critical me has to admit this last Mason mystery, #80, has its problems. It is almost a quarter shorter than usual. There aren’t many suspects. The plot depends on an especially contrived coincidence revealed very late in the game. Gardner doesn’t play fair with the reader when he withholds facts the reader needs to guess the perp. We long-time fans miss Hamilton Burger and his exasperated outbursts; there are no comfy exchanges with Della or Paul Drake. Slightly grating is Gardner’s habit of making adverbs do more than their share of the work as characters glance meaningly, look quizzically, nod solemnly, and say impressively.

On the plus side, Gardner liked to stay abreast of new trends and technology so we feel the atmosphere of 1969 a little when he refers to computers, credit cards, electric typewriters, car phones, the Miranda decision of 1966, and the ease of taking guns onto airliners. The other plus is that a familiar Garderian heroine takes the stage yet again. That is, even though impetuous Diana Douglas plays fast and loose with the truth, she’s brave, headstrong, and loyal to her brother. And she’s starry-eyed with gratitude at the end after Perry foils the System’s savage determination to put her in the gas chamber.